Above is a sample showing the final colourscheme and print design for my outcome. I decided on a painterly washed blue background, inspired by the oxidized silver, with a cool grey toned purple mono print, and warm mahogany lino print, all colours I was most drawn to from the treasures. With particular emphasis on the worn, ruby red and amethyst garnets seen in artifacts such as the belt buckle below...
Photographs of the process of creating my outcome, and the
finished work. I am very pleased with
how it has come together. I like the depth and added level of interest the
painterly washed blue background gives the print, reminding me of prints by the
English Eccentrics. I think the colours are successful. The mahogany lino
prints stand out the most, creating contrast for the delicate monoprints, they
are combined with, which are more subtle and intricate. Not only do I think the
physical shapes of the motifs work, but also the shapes seen between each
print, creates a pattern of its own. I feel I have captured the handcrafted,
aged, slightly imperfect qualities of the historic Sutton Hoo treasures, through the mono
print, and also the areas of lino that are not so opaque, which gives the print
character, similar to that seen in the handcrafted details of the treasures. The
slightly faded appearance of the prints also reminds me of the hazy patterns I
saw on garments in Valention’s SS14 collection.
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